Museo internazionale e biblioteca della musica

Bibliografia

1) PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 |602| 11

2) Thomas Schmidt, Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, p. 15 nota 68, p. 16 |592| 9

3) RISM B/III.6: The Theory of Music. Manuscripts from the Carolingian Era up to c. 1500. Descriptive Catalogue of Manuscripts. Addenda, Corrigenda, a cura di C. Meyer, C. Ruini, G. Di Bacco, München, G. Henle, 2003, p. 455 |466| . 20

4) Oscar Mischiati, Il catalogo originale dei codici manoscritti di padre Martini, «Studi Musicali», XXVIII (1999), pp. 117-218 |170| . 328

5) Madeleine Bernard, Die Ueberlieferung der Neumennnamen im lateinischen Mittelalter, in Quellen und Studien zur Musiktheorie des Mittelalters, II, a cura di M. Bernard, München, 1997, p. 32 |211| 2

6) Oscar Mischiati, La prassi musicale presso i Canonici regolari del SS. Salvatore nei secoli XVI e XVII e i manoscritti polifonici della Biblioteca musicale G. B. Martini di Bologna, Roma, Torre d'Orfeo, 1985, p. 81 (Cfr. anche H.66, cc. 68-69 e c. 185; H.83, c. 29) |25| . 48 1

7) F. Alberto Gallo, Die Notationslehre im 14. und 15. Jahrhundert, in Die Mittelalterliche Lehre von der Mehrstimmigkeit, a cura di F. Zaminer, Darmstadt, Wissenschaftliche Buchgesellschaft, 1984 (Geschichte der Musiktheorie, 5), pp. 257-356, p. 355 |181| 7

8) Bonnie J. Blackburn, A lost guide to Tinctoris's teachings recovered, «Early Music History», I (1981), pp. 29-116, pp. 46-53 |210| 2

9) Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, p. 68 + IV, p. 273 |72| . 25

10) Winfried Kirsch, Josquin's motets in the German tradition, in Josquin des Prez. Proceedings of the International Josquin Festival-conference, 21-25 june 1971, London - New York - Toronto, Oxford University Press, 1976, pp. 261-278 |234| 2

11) Karl-Werner Gumpel, Eine katalanische Version der Mensurallehre des Guillermus de Podio, «Orbis Musicae», II (1973-1974), pp. 41-52, p. 42 |208| 2

12) Karl-Werner Gumpel, Das Enchiridion de principiis musice discipline des Guillermus de Podio, «Spanische Forschungen der Görresgesellschaft, 1. Reihe», XXVII (1973), pp. 359-396, pp. 359-362 |207| 2

13) F. Alberto Gallo, Philological works on music treatises of the Middle Ages. A bibliographical report, «Acta Musicologica», XLIV (1972), pp. 78-101, p. 94, 100 |177| 6

14) Valerie Weinhouse O'Donoghue, A music manuscript from the Spanish College of Bologna. A study of the manuscript Bologna, Civico Museo Bibliografico Musicale, MS A 71 (olim 159), tesi di master, University of Illinois, 1972, passim |206| 2

15) Paul Oscar Kristeller, Iter italicum. A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries, London - Leiden, The Warburg Insitute - Brill, I, pp. 29-30 |171| 44

16) Robert Stevenson, Spanish music in the age of Columbus, The Hague, Nijhoff, 1960, pp. 74-77 |205| 2

17) Higini Anglès, La notación española de la segunda mitad del siglo XV. Un tratado desconocido de Guillermus ... de Podio, «Anuario Musical». II (1947), pp. 151-173, p. 159 |217| 2

Legenda:
Opere citate: libri libri opere iconografiche lettere lettere strumenti


1)	PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 \|602\|	11
2)	Thomas Schmidt, Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, p. 15 nota 68, p. 16 \|592\|	9
3)	RISM B/III.6: The Theory of Music. Manuscripts from the Carolingian Era up to c. 1500. Descriptive Catalogue of Manuscripts. Addenda, Corrigenda, a cura di C. Meyer, C. Ruini, G. Di Bacco, München, G. Henle, 2003, p. 455 \|466\| .	20
4)	Oscar Mischiati, Il catalogo originale dei codici manoscritti di padre Martini, «Studi Musicali», XXVIII (1999), pp. 117-218 \|170\| .	328
5)	Madeleine Bernard, Die Ueberlieferung der Neumennnamen im lateinischen Mittelalter, in Quellen und Studien zur Musiktheorie des Mittelalters, II, a cura di M. Bernard, München, 1997, p. 32 \|211\|	2
6)	Oscar Mischiati, La prassi musicale presso i Canonici regolari del SS. Salvatore nei secoli XVI e XVII e i manoscritti polifonici della Biblioteca musicale G. B. Martini di Bologna, Roma, Torre d'Orfeo, 1985, p. 81 (Cfr. anche H.66, cc. 68-69 e c. 185; H.83, c. 29) \|25\| .	48	1
7)	F. Alberto Gallo, Die Notationslehre im 14. und 15. Jahrhundert, in Die Mittelalterliche Lehre von der Mehrstimmigkeit, a cura di F. Zaminer, Darmstadt, Wissenschaftliche Buchgesellschaft, 1984 (Geschichte der Musiktheorie, 5), pp. 257-356, p. 355 \|181\|	7
8)	Bonnie J. Blackburn, A lost guide to Tinctoris's teachings recovered, «Early Music History», I (1981), pp. 29-116, pp. 46-53 \|210\|	2
9)	Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, p. 68 + IV, p. 273 \|72\| .	25
10)	Winfried Kirsch, Josquin's motets in the German tradition, in Josquin des Prez. Proceedings of the International Josquin Festival-conference, 21-25 june 1971, London - New York - Toronto, Oxford University Press, 1976, pp. 261-278 \|234\|	2
11)	Karl-Werner Gumpel, Eine katalanische Version der Mensurallehre des Guillermus de Podio, «Orbis Musicae», II (1973-1974), pp. 41-52, p. 42 \|208\|	2
12)	Karl-Werner Gumpel, Das Enchiridion de principiis musice discipline des Guillermus de Podio, «Spanische Forschungen der Görresgesellschaft, 1. Reihe», XXVII (1973), pp. 359-396, pp. 359-362 \|207\|	2
13)	F. Alberto Gallo, Philological works on music treatises of the Middle Ages. A bibliographical report, «Acta Musicologica», XLIV (1972), pp. 78-101, p. 94, 100 \|177\|	6
14)	Valerie Weinhouse O'Donoghue, A music manuscript from the Spanish College of Bologna. A study of the manuscript Bologna, Civico Museo Bibliografico Musicale, MS A 71 (olim 159), tesi di master, University of Illinois, 1972, passim \|206\|	2
15)	Paul Oscar Kristeller, Iter italicum. A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries, London - Leiden, The Warburg Insitute - Brill, I, pp. 29-30 \|171\|	44
16)	Robert Stevenson, Spanish music in the age of Columbus, The Hague, Nijhoff, 1960, pp. 74-77 \|205\|	2
17)	Higini Anglès, La notación española de la segunda mitad del siglo XV. Un tratado desconocido de Guillermus ... de Podio, «Anuario Musical». II (1947), pp. 151-173, p. 159 \|217\|	2