Museo internazionale e biblioteca della musica

Bibliografia

1) PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 |602| 11

2) Thomas Schmidt, Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, pp. 18 nota 78 e 79, 65 nota 182 |592| 9

3) Sources of identity. Makers, owners and users of music sources before 1600, a cura di L. Colton e T. Shephard, Turnhout, Brepols, 2017, pp. 31, 35, 227, 236-238 |585| 6

4) ..., ..., «Rivista di letteratura italiana», V (1987), pp., p. 250 |490| 1

5) Francesco Luisi, Il Tentalora ballo dei "tempi passai": vecchie e nuove fonti, in Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, a cura di S Gmeinwieser, D. Hiley, J. Riedbauer, Firenze, Olschki, 1994 ("Historiae musicae cultores" Biblioteca, 74), pp. 75-113, p. 99 |59| 1

6) Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, pp. 74-75 + IV, p. 278 |72| . 25

7) Claudio Gallico, Un canzoniere musicale italiano del Cinquecento (Bologna, Conservatorio di Musica "G. B. Martini", Ms. Q21), Firenze, Olschki 1961 (Historiae musicae cultores, biblioteca, 13) |41| 1

8) DIAMM - Digital Image Archive of Medieval Music |323| 25

Legenda:
Opere citate: libri libri opere iconografiche lettere lettere strumenti


1)	PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 \|602\|	11
2)	Thomas Schmidt, Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, pp. 18 nota 78 e 79, 65 nota 182 \|592\|	9
3)	Sources of identity. Makers, owners and users of music sources before 1600, a cura di L. Colton e T. Shephard, Turnhout, Brepols, 2017, pp. 31, 35, 227, 236-238 \|585\|	6
4)	..., ..., «Rivista di letteratura italiana», V (1987), pp., p. 250 \|490\|	1
5)	Francesco Luisi, Il Tentalora ballo dei "tempi passai": vecchie e nuove fonti, in Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, a cura di S Gmeinwieser, D. Hiley, J. Riedbauer, Firenze, Olschki, 1994 ("Historiae musicae cultores" Biblioteca, 74), pp. 75-113, p. 99 \|59\|	1
6)	Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, pp. 74-75 + IV, p. 278 \|72\| .	25
7)	Claudio Gallico, Un canzoniere musicale italiano del Cinquecento (Bologna, Conservatorio di Musica "G. B. Martini", Ms. Q21), Firenze, Olschki 1961 (Historiae musicae cultores, biblioteca, 13) \|41\|	1
8)	DIAMM - Digital Image Archive of Medieval Music \|323\|	25